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From 18 to 21 April 2026, with a VIP Preview on 17 April, Paris Internationale opens a new chapter with its first edition in Milan.

Taking place at the crossroads of Milano Art Week and Milano Design Week, this edition unfolds within a particularly dynamic cultural context, where contemporary art, design, and architecture converge. Long recognized for its role in shaping visual culture, Milan offers a setting in which collecting, production, and intellectual exchange are closely intertwined.

Conceived in continuity with its Paris editions, Paris Internationale Milano brings together 34 international galleries and non-profit spaces selected for the rigor and clarity of their programs. The selection includes long-standing members of the Paris Internationale community, alongside galleries joining the fair for the first time, reflecting the fair’s ongoing commitment to dialogue across generations, geographies, and practices.

Faithful to its non-hierarchical and intimate model, Paris Internationale continues to present works through focused solo and duo exhibitions, allowing for a more attentive and immersive experience.

Paris Internationale Milano is hosted in the spaces of Palazzo Galbani, a modernist building constructed between 1956 and 1959 to a design by the brothers Eugenio and Ermenegildo Soncini — key figures in post-war Milanese architecture-with structural engineering by Pier Luigi Nervi. The building is currently undergoing a conservation — led restoration overseen by the Milan-based architecture studio Park. The fair’s exhibition design is developed in collaboration with the Swiss architecture studio Christ & Gantenbein, which has been working with Paris Internationale since 2022 to shape its spatial identity. For this edition, Christ & Gantenbein, together with local designers NM3, developed a custom-made system, continuing their previous common work on temporary fair designs.

Banca Ifis is an Associate Partner of Paris Internationale with the brand Ifis art, created in 2024.

With a deliberately limited number of participants, Paris Internationale Milano maintains its commitment to depth over volume, creating the conditions for meaningful exchanges between artists, galleries, and audiences. Alongside the exhibitions, a concise program of talks and events further expands the fair’s role as a platform for discovery, dialogue, and long-term engagement with contemporary art.

Free and non-profit since its inception, Paris Internationale has fostered a singular ecosystem where different audiences coexist without hierarchy. Over the years, the fair has brought together a wide range of audiences — from emerging collectors to major international institutions — creating a space where different levels of experience and engagement coexist. In Milan, this dynamic takes on a new dimension, shaped by the city’s own communities and by the influx of international visitors during this pivotal moment of the cultural calendar. Within this context, Paris Internationale continues to cultivate a form of attention that is both demanding and open — a space where discovery, conversation, and commitment unfold at their own pace.

PRESS CONTACTS:

Lara Facco P&C
T. +39 02 36565133
E. press@larafacco.com
www.larafacco.com

Lara Facco | M. +39 349 2529989 | E. larafacco@larafacco.com

Denise Solenghi | M. +39 333 3086921 | E. denisesolenghi@larafacco.com

Du 18 au 21 avril 2026, avec une Preview VIP le 17 avril, Paris Internationale ouvre un nouveau chapitre avec sa première édition à Milan, marquant un tournant dans l’évolution de la foire.

Se tenant au croisement de la Milano Art Week et de la Milano Design Week, cette édition s’inscrit dans un contexte culturel particulièrement dynamique, où art contemporain, design et architecture convergent. Elle crée une convergence exceptionnelle entre l’art contemporain et l’un des rendez-vous du design les plus influents au monde. Longtemps reconnue pour son rôle dans la formation de la culture visuelle, Milan offre un cadre où collectionner, produire et penser l’art vont de pair.

Pensée dans la continuité de ses éditions parisiennes, Paris Internationale Milano réunit 34 galeries internationales et espaces non-profit, sélectionnés pour la rigueur et la lisibilité de leurs programmes. La sélection rassemble des membres de longue date de la communauté Paris Internationale, aux côtés de galeries participant à la foire pour la première fois, reflétant un engagement constant en faveur du dialogue entre générations, géographies et pratiques.

Fidèle à son modèle non hiérarchique et à échelle humaine, Paris Internationale continue de privilégier des présentations sous forme de solo et duo shows, permettant une expérience plus attentive et immersive.

Paris Internationale Milano prend place au Palazzo Galbani, un bâtiment moderniste construit entre 1956 et 1959 selon les plans des frères Eugenio et Ermenegildo Soncini — figures majeures de l’architecture milanaise d’après-guerre — avec une ingénierie structurelle signée Pier Luigi Nervi. Le bâtiment fait actuellement l’objet d’une restauration patrimoniale menée par l’agence milanaise Park. La scénographie de la foire est développée en collaboration avec l’agence d’architecture suisse Christ & Gantenbein, qui accompagne Paris Internationale depuis 2022 dans la définition de son identité spatiale. Pour cette édition, Christ & Gantenbein, en dialogue avec les designers locaux NM3, ont conçu un dispositif sur mesure, prolongeant leur travail commun sur les formats d’expositions temporaires.

Banca Ifis est partenaire associé de Paris Internationale à travers sa marque Ifis art, créée en 2024.

Avec un nombre volontairement limité de participants, Paris Internationale Milano maintient son engagement en faveur de la qualité plutôt que de la quantité, créant les conditions d’échanges approfondis entre artistes, galeries et publics. En parallèle des expositions, un programme resserré de talks et d’événements vient renforcer le rôle de la foire comme plateforme de découverte, de dialogue et d’engagement durable envers l’art contemporain.

Gratuite et non lucrative depuis sa création, Paris Internationale a su faire émerger un écosystème singulier où différents publics coexistent sans hiérarchie. Au fil des années, la foire a rassemblé une grande diversité d’audiences — des collectionneurs émergents aux grandes institutions internationales — créant un espace où se croisent différents niveaux d’expérience et d’engagement. À Milan, cette dynamique prend une dimension nouvelle, nourrie par les communautés locales et par l’afflux de visiteurs internationaux à ce moment clé du calendrier culturel. Dans ce contexte, Paris Internationale continue de cultiver une forme d’attention à la fois exigeante et ouverte — un espace où découverte, conversation et engagement se déploient à leur propre rythme.

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Building Bâtiment
© Nicola Colella - © Paris Internationale
© Nicola Colella
© Nicola Colella - © Paris Internationale
© Nicola Colella
© Nicola Colella - © © Nicola Colella, Paris Internationale
© Nicola Colella
Via Fabio Filzi, 25R, Milan + Paris Internationale Milano logo © Nicola Colella - © Paris Internationale
Via Fabio Filzi, 25R, Milan + Paris Internationale Milano logo © Nicola Colella
Portraits Portraits
Portrait Silvia Ammon © Margot Montigny - © Paris Internationale
Portrait Silvia Ammon © Margot Montigny
© Margot Montigny - © From left to right : Alessia Volpe, Anissa Touati, Gregor Staiger, Nerina Ciaccia, Silvia Ammon, Alix Dionot-Morani, Marie Lusa, Axel Dibie, Cornelia Grassi, Antoine Levi.© Margot Montigny, Paris Internationale
From left to right : Alessia Volpe, Anissa Touati, Gregor Staiger, Nerina Ciaccia, Silvia Ammon, Alix Dionot-Morani, Marie Lusa, Axel Dibie, Cornelia Grassi, Antoine Levi © Margot Montigny
From left to right : Emanuel Christ, Victoria Easton and Christoph Gantenbein - Christ and Gantenbein © Lukas Wassmann - © Paris Internationale
From left to right : Emanuel Christ, Victoria Easton and Christoph Gantenbein - Christ and Gantenbein © Lukas Wassmann
Image selection (PI 2015- PI 2025) Sélection d'images (PI 2015- PI 2025)
Amber Andrews, Leonardo Devito and Francesco Gennari presented by Ciaccia Levi, Paris/Milan at Paris Internationale 2022. © Margot Montigny - © © Margot Montigny, Paris Internationale
Amber Andrews, Leonardo Devito and Francesco Gennari presented by Ciaccia Levi, Paris/Milan at Paris Internationale 2022. © Margot Montigny
Nicolas Party and Sonia Kacem presented by Gregor Staiger, Zurich/Milan at Paris Internationale 2016. © Aurélien Mole - © © Aurélien Mole, Paris Internationale
Nicolas Party and Sonia Kacem presented by Gregor Staiger, Zurich/Milan at Paris Internationale 2016. © Aurélien Mole
Daily Dérives with X. Zhu Nowell & Eric Baudelaire at Paris Internationale 2024. © Margot Montigny - © Paris Internationale
Daily Dérives with X. Zhu Nowell & Eric Baudelaire at Paris Internationale 2024. © Margot Montigny
Nicole Gravier presented by Ermes Ermes, Rome at Paris Internationale 2023. © Margot Montigny - © © Margot Montigny, Paris Internationale
Nicole Gravier presented by Ermes Ermes, Rome at Paris Internationale 2023. © Margot Montigny
Public at Paris Internationale 2022. © Margot Montigny - © © Margot Montigny, Paris Internationale
Public at Paris Internationale 2022. © Margot Montigny
Emekah Ogboh presented by Something, Abidjan at Paris Internationale 2023. © Margot Montigny - © © Margot Montigny, Paris Internationale
Emekah Ogboh presented by Something, Abidjan at Paris Internationale 2023. © Margot Montigny
Exhibition Views Artworks 2026 Milano Edition
Emmanuela Campoli, Paris/Milan is presenting Benni Bosetto and Nick Mauss. © Sebastiano Pellion Di Persano - © Paris Internationale
Emmanuela Campoli, Paris/Milan is presenting Benni Bosetto and Nick Mauss. © Sebastiano Pellion Di Persano
Keteleer, Antwerp and Lia Rumma, Milan are presenting Luca Monterastelli. © Sebastiano Pellion Di Persano - © Paris Internationale
Keteleer, Antwerp and Lia Rumma, Milan are presenting Luca Monterastelli. © Sebastiano Pellion Di Persano
Franco Noero, Turin is presenting Robert Maplethopre. © Sebastiano Pellion Di Persano - © Paris Internationale
Franco Noero, Turin is presenting Robert Maplethopre. © Sebastiano Pellion Di Persano
Jocelyn Wolff, Paris is presenting Prinz Gholam and Santiago de Paoli. © Sebastiano Pellion Di Persano - © Paris Internationale
Jocelyn Wolff, Paris is presenting Prinz Gholam and Santiago de Paoli. © Sebastiano Pellion Di Persano
Galerie 1900-2000, Paris is presenting Leonora Carrington. © Sebastiano Pellion Di Persano - © Paris Internationale
Galerie 1900-2000, Paris is presenting Leonora Carrington. © Sebastiano Pellion Di Persano
Deborah Schamoni, Munich is presenting  Maria VMier and Nicole Wermers. © Sebastiano Pellion Di Persano - © Paris Internationale
Deborah Schamoni, Munich is presenting Maria VMier and Nicole Wermers. © Sebastiano Pellion Di Persano
Triangolo, Cremona and Sophie Tappeiner, Vienna are presenting Samuel Haitz and Anna Zemánková. © Sebastiano Pellion Di Persano - © Paris Internationale
Triangolo, Cremona and Sophie Tappeiner, Vienna are presenting Samuel Haitz and Anna Zemánková. © Sebastiano Pellion Di Persano
Stereo, Warsaw is presenting Tomasz Kręcicki  © Sebastiano Pellion Di Persano - © Paris Internationale
Stereo, Warsaw is presenting Tomasz Kręcicki © Sebastiano Pellion Di Persano
VEDA, MIlan is presenting Dominique White. © Sebastiano Pellion Di Persano - © Paris Internationale
VEDA, MIlan is presenting Dominique White. © Sebastiano Pellion Di Persano
Gian Marco Casini, Livorno and Laveronica, Modica are presenting Renato Spagnoli. © Sebastiano Pellion Di Persano - © Paris Internationale
Gian Marco Casini, Livorno and Laveronica, Modica are presenting Renato Spagnoli. © Sebastiano Pellion Di Persano
Mountains, Berlin is presenting David Medalla. © Sebastiano Pellion Di Persano - © Paris Internationale
Mountains, Berlin is presenting David Medalla. © Sebastiano Pellion Di Persano
Gregor Staiger, Zurich/Milan is presenting Caroline Bachmann and Walter Pfeiffer © Sebastiano Pellion Di Persano - © Paris Internationale
Gregor Staiger, Zurich/Milan is presenting Caroline Bachmann and Walter Pfeiffer © Sebastiano Pellion Di Persano
Exhibitors
List Images
Blank Projects - © Paris Internationale
Blank Projects
COOPER COLE - © Paris Internationale
COOPER COLE
CORPUS - © Paris Internationale
CORPUS
Deborah Schamoni - © Paris Internationale
Deborah Schamoni
Don Gallery - © Paris Internationale
Don Gallery
Galerie Karin Guenther - © Paris Internationale
Galerie Karin Guenther
Good or Trash - © Paris Internationale
Good or Trash
greengrassi - © Paris Internationale
greengrassi
INAUGURAZIONE. Installation view at Martina Simeti, Milan, Italy, 2026 - © Photo: Andrea Rossetti, Paris Internationale
Martina Simeti
Peana - © Paris Internationale
Peana
sissi club - © Paris Internationale
sissi club
Vanguard Gallery - © Paris Internationale
Vanguard Gallery
Adams and Ollman APOproject Berthold Pott Blank Projects Bombon projects Callirrhoë CAPTION Champ Lacombe Ciaccia Levi Cibrián Clima Climate Control COOPER COLE CORPUS Deborah Schamoni Derouillon Don Gallery Drei El Apartamento ENSAD Femtensesse Gaga Galerie Karin Guenther Galleria Fonti General Expenses Gian Marco Cassini Good or Trash Goswell Road greengrassi Gregor Staiger Gunia Nowik House of Chappaz Héritage IAH Ilenia INGAHEE Kendall Koppe LINSEED Llano Magician Space Martina Simeti Molitor Mountains Peana Pequod Co. Photography Exhibit! Piedras Piktogram Pony Proyectos Multipropósito Radio Athènes Ranee Seoul sangheeut Shmorévaz sissi club Sophie Tappeiner Sperling Square Street Sweetwater Temnikova & Kasela The Breeder The Wig Tiziana Di Caro Tomio Koyama Traits Libres Ulrik Vanguard Gallery Villa Magdalena Vistamare WWNN zaza’
Exhibitors Medias Images des Exposants
Gregory Olympio, 'Occurrence bleue' (2026) | Acrylic on canvas, 183 x 384 x 3.5 cm - © Image courtesy of the artist and blank projects, Cape Town, Paris Internationale
Blank Projects
Gregory Olympio, ‘Occurrence bleue’ (2026) | Acrylic on canvas, 183 x 384 x 3.5 cm
Annabelle Agbo Godeau, 'Backlit Catherine' (2026) | Oil on canvas, 24 x 18 x 2 cm - © Image courtesy of the artist and blank projects, Cape Town, Paris Internationale
Blank Projects
Annabelle Agbo Godeau, ‘Backlit Catherine’ (2026) | Oil on canvas, 24 x 18 x 2 cm
Pere Llobera - © Paris Internationale
Bombon projects
Pere Llobera, THE KINGDOM OF COINCIDENCE, 2019, Oil on linen, 200 x 304 cm
Lara Fluxà - © Paris Internationale
Bombon projects
Lara Fluxà, Graio, 2024, Glass, iron, recycled motor oil, 245 x 175 x 135 cm.
Emma Masut, Anemometro, 2026 Acrylics on canvas, 30 x 25 x 2 cm - © Courtesy: The Artist and Clima, Milan, Paris Internationale
Clima
Emma Masut, Anemometro, 2026 Acrylics on canvas, 30 x 25 x 2 cm
Vijay Masharani, Tree, 2026 Single channel video, runtime 1:02 minutes - © Courtesy: The Artist and Clima, Milan, Paris Internationale
Clima
Vijay Masharani, Tree, 2026 Single channel video, runtime 1:02 minutes
Juliana Halpert is always asking what a photo holds—what is contained not simply within a particular image, but within the larger set of actions that constitute photography as a site of cultural production. For Halpert, a photograph is always evidence—not in the usual sense of documenting a specific place or event or thing—but rather of itself; of the acted-upon desire to record something through the network of social and technologic mechanisms we refer to as “photography.” Because of this, Halpert’s work is not solely occupied with the visual—she seems as much concerned with what is captured by the act of taking a photograph, and the circumstances informing that act, as with what is depicted in it. 

Founder’s day, 2011/2023. Gelatin silver print on matboard. From the series “Dominus Tuus” - © (link: https://julianahalpert.com/ text: Juliana Halpert), Paris Internationale
Climate Control
Juliana Halpert is always asking what a photo holds—what is contained not simply within a particular image, but within the larger set of actions that constitute photography as a site of cultural production. For Halpert, a photograph is always evidence—not in the usual sense of documenting a specific place or event or thing—but rather of itself; of the acted-upon desire to record something through the network of social and technologic mechanisms we refer to as “photography.” Because of this, Halpert’s work is not solely occupied with the visual—she seems as much concerned with what is captured by the act of taking a photograph, and the circumstances informing that act, as with what is depicted in it.

Founder’s day, 2011/2023. Gelatin silver print on matboard. From the series “Dominus Tuus”
G.B. Jones and Paul P.
Untitled, 2002
Collage
9 (H) x 5.5 (W) inches 
22.90 (H) x 14.00 (W) cm. - © Image credit: courtesy of the artists and Cooper Cole, Toronto, Paris Internationale
COOPER COLE
G.B. Jones and Paul P.
Untitled, 2002
Collage
9 (H) x 5.5 (W) inches
22.90 (H) x 14.00 (W) cm.
Richard Walker - Last Time I Tell You - 2022 - © Courtesy of the artist and CORPUS, Cambridge, Paris Internationale
CORPUS
Richard Walker
Last Time I Tell You, 2022
Pigment and emulsion binder on cut plywood
203 x 122 x 5 cm
79 7/8 x 48 x 2 in
Richard Walker - 1D - 2021 - © Courtesy of the artist and CORPUS, Cambridge, Paris Internationale
CORPUS
Richard Walker
1d, 2021
Pigment and emulsion binder on cut plywood
107 x 198 x 5.5 cm
42 1/8 x 78 x 2 1/8 in
Alex Foxton, Red Room Mishima, 2026
Courtesy of the artist and Galerie Derouillon, - © © Youna Virus, Paris Internationale
Derouillon
Alex Foxton, Red Room Mishima, 2026
Courtesy of the artist and Galerie Derouillon,
À la cime de l'arbre, Luc Ming Yan, 2022. Oil on canvas, 100 × 80 cm - © ©️ Don Gallery and Luc Ming Yan, Paris Internationale
Don Gallery
À la cime de l’arbre, Luc Ming Yan, 2022. Oil on canvas, 100 × 80 cm
Bidens Pilosa, LIN Shan, 2026. Oil on aluminum, 9.5 × 10.5 cm - © Photo credit: Courtesy of The artist and Don Gallery, Paris Internationale
Don Gallery
Bidens Pilosa, LIN Shan, 2026. Oil on aluminum, 9.5 × 10.5 cm
Anna Virnich, Untitled, 2026 - © Photo: Roman März
Courtesy the artist and Drei, Cologne, Paris Internationale
Drei
Anna Virnich
Untitled, 2026
Scrim, tulle, cotton, hand-sewn, on wooden frame
160 × 120 cm / 63 × 47 ¼ in
Stephan Dillemuth La toilette sentimentale, 2026 - © Photo: Drei, Cologne
Courtesy the artist and Drei, Cologne, Paris Internationale
Drei
Stephan Dillemuth
La toilette sentimentale, 2026
Plaster, hammered metal, salt crystals
ø 60 cm / ø 23 ⅝ in
Miren Doiz. Untitled, Cartuja II, 2026. Sculpture. 188 x 70 x 35 cm. - © Miren Doiz, El Apartamento, Paris Internationale
El Apartamento
Miren Doiz. Untitled, Cartuja II, 2026. Sculpture. 188 x 70 x 35 cm.
Nacho Martin Silva. Duel, 2025. Oil on linen. 130 x 100 cm - © Nacho Martin Silva, El Apartamento, Paris Internationale
El Apartamento
Nacho Martin Silva. Duel, 2025. Oil on linen. 130 x 100 cm
K. Desbouis, *Snowflakes (Do u dream in Chocolate)*, 2025 - © Photo: K. Desbouis and Courtesy, Paris Internationale
Femtensesse
K. Desbouis, Snowflakes (Do u dream in Chocolate), 2025
Inga Sund Hofset, *Handling Situ*, 2025 - © Photo: Tor Simen Ulstein, Paris Internationale
Femtensesse
Inga Sund Hofset, Handling Situ, 2025
Maggie Lee
*Sprinks*
2025
Synthetic moiré, magazine on canvas
7.95 x 12.05 x .87 inches
20.2 x 30.6 x 2.2 cm - © Courtesy of the Artist and Gaga, Mexico City, Paris Internationale
Gaga
Maggie Lee
Sprinks
2025
Synthetic moiré, magazine on canvas
7.95 x 12.05 x .87 inches
20.2 x 30.6 x 2.2 cm
Elizabeth Englander
*Parinirvana (American devil’s licorice)*
2025
painted wood, tape and stickers
5.43 x 20.47 x 2.95 inches
13.8 x 52 x 7.5 cm - © Courtesy of the Artist and Gaga, Mexico City, Paris Internationale
Gaga
Elizabeth Englander
Parinirvana (American devil’s licorice)
2025
painted wood, tape and stickers
5.43 x 20.47 x 2.95 inches
13.8 x 52 x 7.5 cm
Christiane Blattmann
Pants Model for Pillar, 2025
Cotton, resin, oil paint, zinc, 212 x 45 x 40 cm - © Paris Internationale
Galerie Karin Guenther
Christiane Blattmann
Pants Model for Pillar, 2025
Cotton, resin, oil paint, zinc, 212 x 45 x 40 cm
Christiane Blattmann
Dependers, 2025
Barre holders, aluminum, cardboard, archival polypropylene, 29 x 59 x 31 cm - © Paris Internationale
Galerie Karin Guenther
Christiane Blattmann
Dependers, 2025
Barre holders, aluminum, cardboard, archival polypropylene, 29 x 59 x 31 cm
Kiluanji Kia Henda, Eyes Without a Soul – Post Industrial Portraits (1), 2024. Inkjet print on fine art paper (cotton paper). 50 cm x 37,5 cm. C.sy the Artist and Galleria Fonti, Naples - © C.sy the Artist and Galleria Fonti, Naples, Paris Internationale
Galleria Fonti
Kiluanji Kia Henda, Eyes Without a Soul – Post Industrial Portraits (1), 2024. Inkjet print on fine art paper (cotton paper). 50 cm x 37,5 cm
Felix Shumba, Telephone Reader QUIU45/ Antenna - Dust, 2025, charcoal on paper, 56 x 56 cm - © C.sy the Artist and Galleria Fonti, Paris Internationale
Galleria Fonti
Felix Shumba, Telephone Reader QUIU45/ Antenna - Dust, 2025, charcoal on paper, 56 x 56 cm
Clarissa Baldassarri, Three of one, 2026, 3 channel sound installation, speakers and amplifiers - © Paris Internationale
Gian Marco Cassini
Clarissa Baldassarri, Three of one, 2026, 3 channel sound installation, speakers and amplifiers
Clarissa Baldassarri, Tower of babel (Lakewood church, Houston, Texas), 2026, photographic print on paper, 82x147 cm - © Paris Internationale
Gian Marco Cassini
Clarissa Baldassarri, Tower of babel (Lakewood church, Houston, Texas), 2026, photographic print on paper, 82x147 cm
Cecelia Condit, Untitled, 2026
digital collage, 40 x 22 cm - © Courtesy Cecelia Condit & Goswell Road, Paris, Paris Internationale
Goswell Road
Cecelia Condit, Untitled, 2026
digital collage, 40 x 22 cm
Alison Flora, *Relaunch The Dream Flowers*, 2026
human blood on paper, 19 x 24 cm - © Courtesy Alison Flora and Goswell Road, Paris, Paris Internationale
Goswell Road
Alison Flora, Relaunch The Dream Flowers, 2026
human blood on paper, 19 x 24 cm
Teresa Gierzyńska, *Unavailable I (About Her series)*, 1979, signed and verso signed, artist's stamp on the back, gelatin silver print on matte paper, mounted on cardboard, pencil, wooden frame, UV glass, unique, 28.7 x 19.5 cm, 11 3/8 x 7 5/8 in - © Copyright the artist and Gunia Nowik Gallery, Paris Internationale
Gunia Nowik
Teresa Gierzyńska, Unavailable I (About Her series), 1979, signed and verso signed, artist’s stamp on the back, gelatin silver print on matte paper, mounted on cardboard, pencil, wooden frame, UV glass, unique, 28.7 x 19.5 cm, 11 3/8 x 7 5/8 in
Sana Shahmuradova Tanska, *Not Trauma But Awareness*, 2026, oil on canvas, 80 x 80 cm, 31 1/2 x 31 1/2 in - © Copyright the artist and Gunia Nowik Gallery, Paris Internationale
Gunia Nowik
Sana Shahmuradova Tanska, Not Trauma But Awareness, 2026, oil on canvas, 80 x 80 cm, 31 1/2 x 31 1/2 in
Theia VICKY USLÉ 2025-26 Artisanal glass mass 138 x 80 cm Unique piece - © © 2026 Houseofchappaz, Paris Internationale
House of Chappaz
Theia
VICKY USLÉ
2025-26
Artisanal glass mass
138 x 80 cm
Unique piece
ST (Untitled) I NATALIA DOMÍNGUEZ Laminated plate curved in cold, folded stainless steel tubes and threaded stainless steel rod 105cm x 36.5cm x 39cm - © © 2026 House of Chappaz, Paris Internationale
House of Chappaz
ST (Untitled) I
NATALIA DOMÍNGUEZ
Laminated plate curved in cold, folded stainless steel tubes and threaded stainless steel rod
105cm x 36.5cm x 39cm
Yasmine Anlan Huang
Pure Kingdom
2026
Single-channel video installation, color, stereo
11' - © Paris Internationale
Magician Space
Yasmine Anlan Huang
Pure Kingdom
2026
Single-channel video installation, color, stereo
11’
Yasmine Anlan Huang
Pure Kingdom
2026
Single-channel video installation, color, stereo
11' - © Paris Internationale
Magician Space
Yasmine Anlan Huang
Pure Kingdom
2026
Single-channel video installation, color, stereo
11’
Costanza Candeloro, Tout le temp de vie est temps de travail, 2025, cotton T-shirt and screen print - © © Costanza Candeloro. Courtesy of the artist and Martina Simeti, Milan., Paris Internationale
Martina Simeti
Costanza Candeloro, Tout le temp de vie est temps de travail, 2025. Cotton T-shirt, screen print, 64 × 44 × 6 cm.
RM Marco Pezzotta, Untitled, 2025, crayon on paper - © © RM Marco Pezzotta. Courtesy of the artist and Martina Simeti, Milan. Photo: Andrea Rossetti, Paris Internationale
Martina Simeti
RM Marco Pezzotta, Untitled, 2025. Crayon on paper, 29.5 × 21.7 cm
Andrew Roberts portrait - © Natanael Guzmán, Paris Internationale
Pequod Co.
Andrew Roberts portrait at his solo show “Spectral Corpse” at MUAC, Mexico City
Elsa-Louise Manceaux portrait - © Sigfredo Gonzalez, Paris Internationale
Pequod Co.
Elsa-Louise Manceaux portrait at her solo show “Voice Notes” at Jumex Museum
Photography Exhibit! - © Paris Internationale
Photography Exhibit!
mona-v-kopie.jpg
Matisto, *Obrerx de la Belleza *, 2024, pearls,
beads, hammer, scythe, threads, needle and thimble - © Photo: Bruno Silva. Courtesy of the artist and Pony, Montreuil, Paris Internationale
Pony
Matisto, Obrerx de la Belleza , 2024, pearls,
beads, hammer, scythe, threads, needle and thimble
Ji-Min Park, *S.E.S*, 2026, photograph, latex, Plexiglass, ink, 50 × 33 cm. - © Photo: Pony. Courtesy of the artist and Pony, Montreuil., Paris Internationale
Pony
Ji-Min Park, S.E.S, 2026, photograph, latex, Plexiglass, ink, 50 × 33 cm.
Juni Aranda, polvo y polen, 2026, mixed media on canvas, presented by Proyectos Multipropósito at Paris Internationale 2026. - © Courtesy of Proyectos Multipropósito, Paris Internationale
Proyectos Multipropósito
Juni Aranda
polvo y polen, 2026
Técnica mixta
122 x 152.2 cm
Juni Aranda, Inflable viejo, 2026, recovered fabric inflatable sculpture with fan, presented by Proyectos Multipropósito at Paris Internationale 2026. - © Courtesy of Proyectos Multipropósito, Paris Internationale
Proyectos Multipropósito
Juni Aranda
Inflable viejo , 2026
Inflable de tela recuperada y ventilador.
Medidas variables
Amalia Laurent, The View in All that we see or seem, is but a scene within the scene, sissi club, 2026. - © Photo: sissi club, Paris Internationale
sissi club
Amalia Laurent, The View in All that we see or seem, is but a scene within the scene, sissi club, 2026.
Camille Bernard, Déclins Diurnes (Masse), oil on canvas, 90 x 70 cm - © Photo: Sam Basu, Paris Internationale
sissi club
Camille Bernard, Déclins Diurnes (Masse), oil on canvas, 90 x 70 cm
Andrew Gilbert, 'Andrew is drawing a very peaceful Hummingbird', 2025, acrylic, watercolor and fineliner on paper, 42 × 30 cm | 16 1/2 × 11 3/4 in, photo by the artist - © Andrew Gilbert & Sperling, Munich, Paris Internationale
Sperling
Andrew Gilbert, ‘Andrew is drawing a very peaceful Hummingbird’, 2025, acrylic, watercolor and fineliner on paper, 42 × 30 cm | 16 1/2 × 11 3/4 in, photo by the artist
Andrew Gilbert, 'We are all Mushrooms and The Sky is made of Human Skin', 2023, acrylic, watercolor and fineliner on paper
65 × 50 cm | 25 5/8 × 19 5/8 in, photo: Constanza Meléndez - © Andrew Gilbert & Sperling, Munich, Paris Internationale
Sperling
Andrew Gilbert, ‘We are all Mushrooms and The Sky is made of Human Skin’, 2023, acrylic, watercolor and fineliner on paper
65 × 50 cm | 25 5/8 × 19 5/8 in, photo: Constanza Meléndez
Kostis Velonis
We Were Watching the Sky When the Sky Began Watching Us, 2026
oil, acrylic, color pencil and oil pastel on canvas
150 x 150 cm Courtesy The Breeder - © © the artist, Paris Internationale
The Breeder
Kostis Velonis
We Were Watching the Sky When the Sky Began Watching Us, 2026
oil, acrylic, color pencil and oil pastel on canvas
150 x 150 cm Courtesy The Breeder
Eleni Pitari-Pangalou, Untitled, 1960-1970, ink and gouache on paper, 103x70cm, Courtesy The Breeder - © Paris Internationale
The Breeder
Eleni Pitari-Pangalou, Untitled, 1960-1970, ink and gouache on paper, 103x70cm, Courtesy The Breeder
Tiziana Di Caro - © Danilo Donzelli, Paris Internationale
Tiziana Di Caro
Tiziana Di Caro, Napoli
伊藤慶二  Keiji Ito
土の人 Earthen Figure
2025
陶
h.33.1 x w.25.1 x d.15.9 cm - © ©Keiji Ito, Courtesy of Tomio Koyama Gallery, Paris Internationale
Tomio Koyama
伊藤慶二  Keiji Ito
土の人 Earthen Figure
2025
陶
h.33.1 x w.25.1 x d.15.9 cm
菅木志雄 Kishio Suga
連間 Connected Spaces
1978
pencil, acrylic and tape on paper framed
56.6 x 79.0 cm - © © Kishio Suga, Courtesy of Tomio Koyama Gallery, Paris Internationale
Tomio Koyama
菅木志雄 Kishio Suga
連間 Connected Spaces
1978
pencil, acrylic and tape on paper framed
56.6 x 79.0 cm
A diamond shaped canvas depicting an eye behind bars. - © Photo: Stephen Faught, Paris Internationale
Ulrik
Traitor 2, 2026, oil on canvas, 45 5/8 x 26 in. (116 x 66 cm.)
A diamond shaped canvas depicting eyes behind bars - © Photo: Stephen Faught, Paris Internationale
Ulrik
Traitor 1, 2026, oil on canvas, 55 1/8 x 26 in. (140 x 66 cm.)
Ella Wang Olsson, "RAVE", Oil on canvas, 180x120 cm, 2024 - © © Vanguard Gallery and the artist, Paris Internationale
Vanguard Gallery
Ella Wang Olsson, “RAVE”, Oil on canvas, 180x120 cm, 2024
Mie Yim, Luau, 2026. - © © Mie Yim. Courtesy the artist and Villa Magdalena. Photography: Marc Tatti., Paris Internationale
Villa Magdalena
Mie Yim, Luau, 2026.
Sila Candansayar, Meaningful sacrifice 3, 2026. - © © Sila Candansayar. Courtesy the artist and Villa Magdalena. Photo: Gregory Copitet, Paris Internationale
Villa Magdalena
Sila Candansayar, Meaningful sacrifice 3, 2026.
Vistamare - © Paris Internationale
Vistamare
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Vistamare - © Paris Internationale
Vistamare
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