Paris Internationale - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer

Galerie Max Mayer opened in 2011 with no gallery space but numerous presentations of artists spread over the city of Düsseldorf. With this show, the gallery was aiming to present its curatorial concept or approach to exhibition making without an architecture that always “is” the gallery. Since then, Galerie Max Mayer has put together exhibitions with international artists such as Melanie Gilligan, J. Parker Valentine and Nicolás Guagnini. In juxtaposition, the gallery is working with emerging artists like Flora Klein or Maximiliane Baumgartner. In relation to its young positions, Galerie Max Mayer also presents works by more established artists such as Ei Arakawa and Flint Jamison as well as art historical positions like Jef Geys and Klaus Merkel. The established positions are a reference to the gallery’s program for creating a work inherent narrative that stands exemplary for the narrative of the gallery. In addition, Galerie Max Mayer has always been open to project based collaborations and over the past years has put together exhibitions with artists such as Calla Henkel & Max Pitegoff, Dan Graham, Eva Barto, Daiga Grantina, and CC Hennix, a.o. In September 2020, the gallery moved to Schmela Haus, Aldo van Eyck built gallery house in Düsseldorf centre.

Schmela Haus
Mutter-Ey-Strasse 3
40213 Düsseldorf
info@maxmayer.net
maxmayer.net

For this year’s Paris Internationale, Galerie Max Mayer is pleased to show new works by Murat Önen together with a video by Park McArthur & Constantina Zavitsanos.

In his paintings, Murat Önen merges personal experiences with imaginative moments and elements from art history. He challenges the established forms of academic painting, including his own work and questions of representation. His self-reflective works blend real-life situations with tropes of masculinity and queerness. In a continuous search, Önen works from something, but not towards something. Color, light, movement, tension, body, silhouettes, and space collide in the intuitively created process images, which intentionally and visibly inscribe their own history de facto with overpainting and over-layering.

Scores for Carolyn by Park McArthur & Constantina Zavitsanos is a short open captioned video playlist of instructional scores for care with two or more people. Named for (and to) their friend - the artist, Carolyn Lazard - the piece intentionally blurs roles of care provider and receiver; it is accompanied by slowed slurred sound that reads the video’s captions as they appear on screen.

Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Max Mayer - © Paris Internationale
Description: [A flat screen monitor sits on the floor leaned against a gallery wall. The image on screen is of a rocky asphalt ground. Captions on the video image read: "Tolerate as much emotion as you can".]
Photo credit: Jonathan Dorado

Park McArthur and Constantina Zavitsanos, *Scores for Carolyn*, 2019
HD video, open captions, slowed sound. 11 min 28 sec
 - © The artists and Galerie Max Mayer, Paris Internationale

Description: [A flat screen monitor sits on the floor leaned against a gallery wall. The image on screen is of a rocky asphalt ground. Captions on the video image read: “Tolerate as much emotion as you can”.]
Photo credit: Jonathan Dorado

Park McArthur and Constantina Zavitsanos, Scores for Carolyn, 2019
HD video, open captions, slowed sound. 11 min 28 sec


[An asphalt black and sparkled mica ground hosts a line of yellow open captions that read: "Tolerate as much emotion as you can."] - © Galerie Max Mayer and the artists, Paris Internationale

[An asphalt black and sparkled mica ground hosts a line of yellow open captions that read: “Tolerate as much emotion as you can.”]

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