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Whistle - © Paris Internationale
Whistle

Whistle is an exhibition space established for artistic sensory experience in 2017, located in Seoul’s Itaewon district. The program focuses on emerging artists based in Seoul and international artists, acting as a cooperative extension of the artist’s practice. Alongside the gallery program, Whistle collaborates with external institutions and projects to develop the platform globally. Seeking new directions and methods of presentation, Whistle aims to act as a flexible space with active discourse.

3rd floor
12 Hoenamu-ro 13-gil,
Yongsan-gu, Seoul
Republic of Korea 04344

<I Think That’s My Spoon>

Dongho Kang, Jiieh G Hur

For Paris Internationale 2023, Whistle presents <I Think That’s My Spoon>, a duo presentation by two Korean contemporary artists, Dongho Kang and Jiieh G Hur.

The interpretation of an object can change within a sentence depending on the language used but also the context provided; understanding a text message can differ from a spoken conversation over the phone. The artists cultivate their unique languages within their works through the continuous exploration of diverse mediums. <I Think That’s My Spoon> offers multifaceted sensory experiences through visual and auditory elements to experiment with the boundaries of perception.

Dongho Kang (b. 1994, Korea) explores the logic of film through visual-perceptual devices and genre taxonomy, examining the autonomous capacity of objects in their production and the channeling of plot and emotion without human influence. Kang often selects images that evoke a sense of unease or distance and then translates these experiences of disconnection into his paintings. Taking stray photos as a point of departure, he expands the inherent capability of the object within its form, color and texture.

Jiieh G Hur (b. 1982, Korea) showcases an exquisitely delicate, multidisciplinary practice that explores perception and sensation and realizes its physical result through sculpture, sound, installation and drawing. Her works are highly labor-intensive and time-consuming, their fragile nature belying the artist’s meticulous calculations and condensed emotions. Her installation methods encapsulate time-and-specific moments and create integral links between corporal memory and momentary engagement.

Dongho Kang
Dongho Kang, Tunnel, 2017, Oil on canvas, 20x20cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, Tunnel, 2017, Oil on canvas, 20x20cm

Dongho Kang, Table, 2023, Acrylic on canvas, 34.8x27.3cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, Table, 2023, Acrylic on canvas, 34.8x27.3cm

Dongho Kang, Cartesian Diver, 2023, Acrylic on canvas, 34.8x27.3cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, Cartesian Diver, 2023, Acrylic on canvas, 34.8x27.3cm

Dongho Kang, Belt, 2023, Acrylic on canvas, 34.8x27.3cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, Belt, 2023, Acrylic on canvas, 34.8x27.3cm

Dongho Kang, Loose Socks, 2023, Acrylic on canvas, 65.1x50cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, Loose Socks, 2023, Acrylic on canvas, 65.1x50cm

Dongho Kang, White Pillow, 2021, Acrylic on canvas, 50x65.1cm - © &copy;Dongho Kang, courtesy Whistle, Paris Internationale

Dongho Kang, White Pillow, 2021, Acrylic on canvas, 50x65.1cm

Dongho Kang (b. 1994, Korea) received his BFA in Fine Art from Korea National University of Arts, and his MFA from the same institution. He has held solo exhibitions Detachment, Whistle, Seoul (2023) ; Bastards, Keep in Touch Seoul, Seoul (2020); and NEVERMORE, Weekend & 2/W, Seoul (2019); his work has been shown in multiple group exhibitions at Kimsechoong Museum, Keep In Touch, and WESS, among others.

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Jiieh G Hur
Jiieh G Hur, NW-5tsp, 2022, Silkscreen, charcoal, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 10.4x13cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, NW-5tsp, 2022, Silkscreen, charcoal, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 10.4x13cm

Jiieh G Hur, NW-5gsp, 2022, Graphite, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 7.8x10.8cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, NW-5gsp, 2022, Graphite, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 7.8x10.8cm

Jiieh G Hur, NW-3r9r, 2022, Silkscreen, ink, acrylic paint, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 10.2x8.9cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, NW-3r9r, 2022, Silkscreen, ink, acrylic paint, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 10.2x8.9cm

Jiieh G Hur, NW-grag, 2022, Silkscreen, graphite, acrylic paint, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 11x12.4cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, NW-grag, 2022, Silkscreen, graphite, acrylic paint, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 11x12.4cm

Jiieh G Hur, NW-h6xj, 2022, Silkscreen, acrylic paint, ink, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 16.4x12.5cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, NW-h6xj, 2022, Silkscreen, acrylic paint, ink, paper, plywood, aluminum angles, QR code to the album, Wednesday and redeem code, 16.4x12.5cm

Jiieh G Hur, Cosmic Horror, 2023, Newspaper, glue, varnish, paper clay and stainless steel beads, 9.5x19x15cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, Cosmic Horror, 2023, Newspaper, glue, varnish, paper clay and stainless steel beads, 9.5x19x15cm

Jiieh G Hur, Where body how?, 2023, Reclaimed paper, glue, Pantone ink, acrylic paint and wood, 24x24x18cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, Where body how?, 2023, Reclaimed paper, glue, Pantone ink, acrylic paint and wood, 24x24x18cm

Jiieh G Hur, Seed(8), 2023, Reclaimed paper, wood and beeswax, 18x18x28cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, Seed(8), 2023, Reclaimed paper, wood and beeswax, 18x18x28cm

Jiieh G Hur, Seed(37), 2023, Reclaimed paper, acrylic paint, wood and white wash, 14x14x51cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, Seed(37), 2023, Reclaimed paper, acrylic paint, wood and white wash, 14x14x51cm

Jiieh G Hur, Seed(64), 2023, Paper, glue, screws, stainless steel wire and copper pipe, 41x20x137cm - © &copy;Jiieh G Hur, courtesy Whistle, Paris Internationale

Jiieh G Hur, Seed(64), 2023, Paper, glue, screws, stainless steel wire and copper pipe, 41x20x137cm

Jiieh G Hur (b. 1982, Korea) graduated from Otis College of Art and Design with a BFA in Sculpture/New Genres and received her MFA in Ceramics from the School of the Art Institute of Chicago. Her solo exhibitions include let’s meet after the thunderstorm (2021, Alter Ego, Seoul) and Electric Smash (2019, Whistle, Seoul). Her work has been exhibited at South South (Online project), Art Basel Miami (Positions sector) and in group exhibitions.

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