Paris Internationale - © Paris Internationale
What Pipeline - © Paris Internationale
What Pipeline

What Pipeline is an artist-run gallery bringing new perspectives in contemporary art to Detroit. Founded in 2013 by Daniel Sperry and Alivia Zivich, What Pipeline has presented artists and collectives from Detroit, Chicago, Los Angeles, Frankfurt, Berlin, London, Sao Paolo, Norway and New York, while introducing Detroit artists to audiences outside of the city through off-site curatorial projects.

What Pipeline received the Artadia NADA NYC 2014 Artist Award and is also a three-time recipient of Knight Foundation Detroit Arts Challenge awards: in 2014 for a Detroit artist publication series; in 2016 for an exhibition with artist Pope.L; and in 2021 for an exhibition with artist Demario Dotson.

3525 W Vernor Hwy
Detroit, MI 48216
USA

For Paris Internationale 2023, Nolan Simon (b. 1980 in Detroit, USA) has created two new paintings from his Cabinet series. These masterpieces of trompe l’oeil offer a pleasing technical virtuosity playfully subverted by unexpected combinations of objects and materials. In a nod to the history of painting’s imitation of life, mirror-like reflections give the illusion of a window into the artist’s studio, and invite the viewer to peer behind the scenes of the artwork’s creation.

Nolan Simon’s recent solo exhibitions include “The First Machine” with Isabelle Frances McGuire at What Pipeline, Detroit in 2023; “Sons and Daughters and Lovers” at Lars Friedrich, Berlin, in 2022; and “Polyamory” at 47 Canal, New York in 2021. Upcoming exhibitions include “Hoi Köln” organized by Valerie Knoll at the Kölnischer Kunstverein in Cologne, Germany.

The Complete Works: Against the Interpretation of Dreams (I) - © Paris Internationale
Nolan Simon
The Complete Works: Against the Interpretation of Dreams (I)

2023
Oil and dye sublimation on linen
36 × 24 in (91.44 x 61 cm)

The Complete Works: A Disturbance of Memory - © Paris Internationale
Nolan Simon
The Complete Works: A Disturbance of Memory

2023
Oil and dye sublimation on linen
36 × 24 in (91.44 x 61 cm)

Soft Reins, Man Kind, - © Paris Internationale
Nolan Simon
Soft Reins, Man Kind,

2023
Oil and dye sublimation on linen mounted on board
19 x 15 in (48.26 x 38.1 cm)
20.5 x 16.375 (52.07 x 41.6 cm) framed

Soft Reins, Spring in Wartime - © Paris Internationale
Nolan Simon
Soft Reins, Spring in Wartime

2023
Oil and dye sublimation on linen mounted on board
19 x 15 in (48.26 x 38.1 cm)
20.5 x 16.375 (52.07 x 41.6 cm) framed

The Soft Tread of Silicone Heels - © Paris Internationale
Nolan Simon
The Soft Tread of Silicone Heels

2023
Oil and dye sublimation on linen mounted on board
19 x 15 in (48.26 x 38.1 cm)
20.5 x 16.375 (52.07 x 41.6 cm) framed

Soft Reins, First Tools - © Paris Internationale
Nolan Simon
Soft Reins, First Tools

2023
Oil and dye sublimation on linen mounted on board
19 x 15 in (48.26 x 38.1 cm)
20.5 x 16.375 (52.07 x 41.6 cm) framed

Bruno Zhu (b. 1991 in Porto, Portugal) continues his investigation of game play as seen in his series of nesting boxes. Shaped like hearts, diamonds, clubs and spades (the suits of playing cards), these decorative boxes are reminiscent of commercial packaging for jewelry or gifts. They invoke the generous and complicated language of romance and chances taken when playing games of the heart, and the way mass produced objects take on personal meaning when in close proximity to the body.

Bruno Zhu’s recent solo exhibitions include “Everybody is Crazy” at What Pipeline, Detroit in 2023, and “I am not afraid” at Cordova, Barcelona, in 2022. Recent group exhibitions include “Comizi d´Amore” curated by Cathrin Mayer at Georg Kargl Fine Arts, Vienna, in 2023. Upcoming solo exhibitions include Chisenhale Gallery, London and Veronica, Seattle, WA, in 2024.

Divorced, father of two. We met twice. He confessed he was not in love with the man he was seeing. Their sex was good, but I made him do things he wouldn’t do like to kiss on a first date. He would send me pictures of the sunset after work. They were beautiful to him, and that was beautiful to me. We said goodbye on the phone, one kiss after the other. - © Paris Internationale
Bruno Zhu
Divorced, father of two. We met twice. He confessed he was not in love with the man he was seeing. Their sex was good, but I made him do things he wouldn’t do like to kiss on a first date. He would send me pictures of the sunset after work. They were beautiful to him, and that was beautiful to me. We said goodbye on the phone, one kiss after the other.

c. 2022-2023
Cardboard, adhesive vinyl
55 x 45.3 x 12.7 cm (21.625 x 17.75 x 5 in.)

Divorced, father of two. We met twice. He was seeing a man he was not in love with. He wasn’t sure if he wanted to commit. I made him do things he wouldn’t do like kissing on a first date. He told me he liked the sound of my voice and I called him a bastard for being so tender, so loving. We said goodbye on the phone, one kiss after the other. - © Paris Internationale
Bruno Zhu
Divorced, father of two. We met twice. He was seeing a man he was not in love with. He wasn’t sure if he wanted to commit. I made him do things he wouldn’t do like kissing on a first date. He told me he liked the sound of my voice and I called him a bastard for being so tender, so loving. We said goodbye on the phone, one kiss after the other.

c. 2022-2023
Cardboard, adhesive vinyl
44.3 x 35 x 12.7 cm (17.5 x 13.75 x 5 in.)

Divorced, father of two. We met twice. He was seeing a man who was falling in love with him, but he didn’t feel the same way. The other lover was more of his type physically, but I made him do things he wouldn’t do like kissing on a first date. He liked the sound of my voice and couldn’t hang up when we said goodbye on the phone, one kiss after the other. - © Paris Internationale
Bruno Zhu
Divorced, father of two. We met twice. He was seeing a man who was falling in love with him, but he didn’t feel the same way. The other lover was more of his type physically, but I made him do things he wouldn’t do like kissing on a first date. He liked the sound of my voice and couldn’t hang up when we said goodbye on the phone, one kiss after the other.

c. 2022-2023
Cardboard, adhesive vinyl
55 x 45.3 x 12.7 cm (21.625 x 17.75 x 5 in.)

Divorced, father of two. We met twice. He was seeing another man. He was not in love with him. He said I could make him do things he wouldn’t do like kissing on a first date. He said I was dangerous, and I said he was dangerous too. He liked the sound of my voice, and I liked the risk he took by listening to it. We said goodbye on the phone, one kiss after the other. - © Paris Internationale
Bruno Zhu
Divorced, father of two. We met twice. He was seeing another man. He was not in love with him. He said I could make him do things he wouldn’t do like kissing on a first date. He said I was dangerous, and I said he was dangerous too. He liked the sound of my voice, and I liked the risk he took by listening to it. We said goodbye on the phone, one kiss after the other.

c. 2022-2023
Cardboard, adhesive vinyl
79.8 x 58.8 x 12.7 cm (31.375 x 29.125 x 5 in.)

American Average Star - © Paris Internationale
Bruno Zhu
American Average Star

2022
(1 + 1 AP)
Pencil on card
Dimensions variable, 29.25 x 35.5 in (74.3 x 90.1 cm) framed

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