“Turato moves at the pace of the infosphere she harvests, processes and performs social preoccupations and the language they generate as they trend, peak and dip”.
Hettie Judah, Fieze
Galerie Gregor Staiger is excited to show a new group of works on canvas and enamels in our solo presentation with Nora Turato at this year’s edition of Paris Internationale. Since our last project with the artist we’ve seen exhibitions at ICA London, the Stedelijk in Amsterdam, the Bechtler Foundation near Zurich, as well as major public commissions in Zagreb and New York. Our presentation in Paris is a progression of a new body of work first developed for a group exhibition at the Kunstmuseum Stuttgart earlier this year and marking the artist’s first series of works on canvas. The large scale works directly continue the artist’s investigation of language, while medium and technique create a very different aesthetic.
The painstaking precision from the well known enamel works, which the artist also continues to make, give way to an alternate gesture. The sharp edges of custom typefaces are replaced by just-about-legible phrases scrawled in oil stick in a loopy cursive and filling in areas with countless curlicues. Combining fragments of text with spontaneous and repetitive gestures, ideas appear in different forms and variations across the surface, with words and lines overlapping, expanding, and accumulating. Through this process, language moves beyond its conventional function and becomes a physical presence, as if the advent of LLMs requires us to reassert our bodies. The works reflect the immediacy and urgency characteristic of Turato’s practice, while leaving space for ambiguity and multiple readings.
In stark contrast, the new enamel works seem diminutive and orderly, with phrases ranging from urgent exclamations to perplexing non sequiturs in a font that is more bubbly than we’ve previously seen, slightly cartoonish even. Their vivid surfaces and concise use of text retain the immediacy and visual impact of Turato’s larger enamel works. The text becomes image: words are reduced, repeated, and placed within a highly controlled surface, creating a tension between the precision of the medium and the directness of the language.
Nora Turato, Warm Heart Long Arms, 2026
Installation view, Stiftung Kunstmuseum Stuttgart
Photo: Gerard Ulmann
Nora Turato
Nora Turato’s work ranges from the written word to imposing performances and printed matter. The latter is based on her performance scripts and references an aesthetic drawn from utilitarian graphic design, mixed with her own handwriting. The material is invariably eclectic, potentially encompassing almost any context in which words are used, ranging from mundane non sequiturs to current news items, and referencing popular culture, literature, poetry, invented slogans, meaningless profundities, or meaningless nonsense.
Nora Turato (*1991 Zagreb / Croatia, lives in Amsterdam) has exhibited in various institutions including the Institute of Contemporary Arts (ICA), London (2025); Stedelijk Museum, Amsterdam (2024); Kunsthalle Wien (2024); Performa Biennial, New York (2023); Museum of Modern Art, New York (2022); Secession, Wien (2021); Serralves Museum of Contemporary Art, Porto (2019); Kunstmuseum Liechtenstein (2019). Group shows comprise Kunstmuseum Stuttgart (2026); MUDAM, Luxemburg (2024); TANK, Shanghai (2023); Kunsthal Charlottenborg, Kopenhagen (2022) and many others.
PUBLIC COLLECTIONS:
CNAP, France
EVN Sammlung, Maria Enzersdorf, Austria
FRAC Bretagne, France
Fundação de Serralves, Porto, Portugal
Kunsthaus Zurich, Switzerland
Kunstmuseum Liechtenstein, Vaduz, Liechtenstein
MASI, Lugano, Switzerland
Migros Museum fur Gegenwarstkunst, Zurich, Switzerland
MMSU, Zagreb, Croatia
MUDAM, Luxembourg
Museum of Modern Art (MoMA), New York
National Gallery of Victoria, Melbourne, Australia
Sammlung Philara, Dusseldorf, Germany
Stedelijk Museum, Amsterdam, The Netherlands
Nora Turato, the next big thing is YOU, 2024. Exhibition view, Galerie Gregor Staiger, Zurich
“challenging the internet in her speech, yes, but not in the banal sense of acting as a disinterested mediator, or even a mechanical media channel. Rather, she‘s closer to a medium-a possessed being, utterly driven, trapped, compelled by the desire for and the impossibility of communion, as opposed to its diminutive, communication.”
Adam Jasper, Art Forum
Oil pastel on canvas
235 × 180 × 4 cm
Oil pastel on canvas
235 × 180 × 4 cm
Oil pastel on canvas
235 × 180 × 4 cm
Oil pastel on canvas
235 × 180 × 4 cm
Vitreous enamel on steel
37 x 37 x 2 cm
Edition of 3+1AP
Vitreous enamel on steel
37 x 37 x 2 cm
Edition of 3+1AP
Vitreous enamel on steel
37 x 37 x 2 cm
Edition of 3+1AP
Vitreous enamel on steel
37 x 37 x 2 cm
Edition of 3+1AP
Vitreous enamel on steel
37 x 37 x 2 cm
Edition of 3+1AP